What It Is To Burn was one of my high-school records that would
rarely leave the player. I distinctly recall Finch, Taproot and Glassjaw
being the thing of dreams back then - the bands that had us wishing we
could
play
instruments. They ruled our high-school. There was something for
everyone in their music. Melodic-punk, nu-metal, hardcore and even
screamo. This live record proves not only nostalgic but also, a stark
reminder that some bands do have that magic in them to come back years
later and pay proper tribute to an album, which in my arcane era, was
considered a landmark. Finch delivers the energy and passion here that
made their music resonate back in the day and while, their later
material strayed a bit, it's nice to get the memo that at some point,
Finch were a big thing.
They don't miss a beat at all. "New Beginnings" and "Letters To You"
springboard off the album just as strongly as they did in 2012. Nate
Barcalow's vocals are solid throughout which shocks even more. It's
stretched at times but his versatility and range are still
well-pronounced. Finch always pride themselves on diligent music -
combining quite a few genres yet never keeping things too simple or too
complex. The slashing guitars, ambitious riffs and smacking percussion
shine through just as in times past. They add up to highlight how emo
and catchy Finch are and this blend reiterates in an undeniable fashion
how much their hard stance on pop-punk works. And works well.
The throwback factor increases with each track. Louder, a bit more
throaty but still quite telling. "Untitled" continues to wow, especially
with the familiar shrill ending where Barcalow's screams grate your
ears. Throughout the album, the backup
vocals add depth in abundance and match up nicely to the pacey guitars
and timely breakdowns. They add a lot of screamo attitude, which if left
out, just wouldn't be Finch. The band's melodic lulls, explosive
sprawls and catchy hooks are ever-present and fans would recall how
these helped them spread their wings back in the 2000s. Fast-forward to
now and hearing them stick to this fundamental sound is something
extraordinary. You do sense the aged vocals and the wear-and-tear in
Barcalow but the band's musical style never shifts into the wrong gears.
It constantly remains interesting and keeps prodding that Finch's music
deserved its flashpoint status.
Their exploits on tunes like "Three Simple Words" and the self-titled
closer are still highly enjoyable and worth soaking in. If you throwback
to the original album, which I advise strongly, and compare it to this
live set, you'd probably realize how lucky Warped Tour
fans will be if Finch pulls things off there like they did here. When
the dust settles, Finch paved the way for several bands today and no
matter how much they toyed with the mainstream and kept making
accessible touchstones within their music, they kept churning out music
that was above average.
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