After years of practicing realistic
portraiture, Korean-born artist
Shin Young An decided it was time for a change. Her work was once focused on
depicting her subject as faithfully and realistically as possible. She
now moves beyond the surface and aims to engage politically with the
viewer and motivate introspection, even action.
Still maintaining elements of her previous style, An portrays photorealistic hands and feet engaging in
everyday activities. She paints them over a
background of newspapers reporting on current world
events.
Two hands pick apart a garlic clove over headlines about the Taliban. A
hand gives her feet a pedicure as they rest atop news about conflict
between North and South Korea.
Some of her subjects — whose identities are always wholly out of
reach — engage more with their backdrops. Hands scroll down Osama Bin
Laden’s face on a
smartphone.
They light red candles, perhaps to summon good luck during a difficult
time. However, An’s subjects are still aloof. The world’s suffering is
ever-present on the newspapers in the background. With this depiction,
An criticizes the average person’s indifference, but she does so with a
note of understanding. She depicts her subjects at peace, quietly
clipping their toenails or indulging in a slice of pie. It is, of
course, easier to carry on this way than to enter the turmoil.
Her latest work follows a similar theme, but the action she places
into our awareness is not a mundane task. It is instead the very act of
looking at her art. The actor is not the person behind the hand or foot,
but is us, the viewers. When we look at her work
Peace? from
afar, it appears as an abstract and colorful peace sign, a pleasant and
uncomplicated image. As we move closer, however, the details emerge. The
red center is really a candle. The blue circle is a teardrop in the
shape of a question mark. The purple circle is traced by photographs of
dead soldiers. An directly — and somewhat uncomfortably — commands our
self-reflection.
by Anna Carey High Fructose/Cold Turkey

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